Showing posts with label author interview. Show all posts
Showing posts with label author interview. Show all posts

November 16, 2011

In 5, 4, 3, 2, 1...Talking with ASHFALL Author Mike Mullin

The Writer





Mike Mullin’s first job was scraping the gum off the undersides of desks at his high school. From there, things went steadily downhill. He almost got fired by the owner of a bookstore due to his poor taste in earrings. He worked at a place that showed slides of poopy diapers during lunch (it did cut down on the cafeteria budget). The hazing process at the next company included eating live termites raised by the resident entomologist, so that didn’t last long either. For a while Mike juggled bottles at a wine shop, sometimes to disastrous effect. Oh, and then there was the job where swarms of wasps occasionally tried to chase him off ladders. So he’s really hoping this writing thing works out.

Mike holds a black belt in Songahm Taekwondo. He lives in Indianapolis with his wife and her three cats. ASHFALL is his first novel.

Website: www.mikemullinauthor.com
Blog: http://mikemullin.blogspot.com/
Twitter: https://twitter.com/#!/Mike_Mullin
Facebook: https://www.facebook.com/profile.php?id=100001482248900
Goodreads: http://www.goodreads.com/author/show/4445700.Mike_Mullin



The Book





Many visitors to Yellowstone National Park don’t realize that the boiling hot springs and spraying geysers are caused by an underlying supervolcano. It has erupted three times in the last 2.1 million years, and it will erupt again, changing the Earth forever.

Fifteen-year-old Alex is home alone when the supervolcano erupts. His town collapses into a nightmare of darkness, ash, and violence, forcing him to flee. He begins a harrowing trek in search of his parents and sister, who were visiting relatives 140 miles away.

Along the way, Alex struggles through a landscape transformed by more than a foot of ash. The disaster brings out the best and worst in people desperate for food, clean water, and shelter.  When an escaped convict injures Alex, he searches for a sheltered place where he can wait—to heal or to die. Instead, he finds Darla. Together, they fight to achieve a nearly impossible goal: surviving the supervolcano.


The first two chapters are available at Mike Mullin's website!



Click the cover above to order your copy of ASHFALL today!




The Interview


What are FIVE adjectives that you would use to describe your novel, ASHFALL?
Realistic, Grim, Violent, Touching, and (ultimately) Hopeful


ASHFALL is your debut novel. In the process of writing it and having it published, what are FOUR things you've learned?
  1. I hate querying literary agents.
  2. Letting go of my novel—watching it move from a file on my computer that I can edit any time I want, to a printed book—was a lot more difficult emotionally than I thought it would be.
  3. There is a large community of wonderfully supportive writers, bloggers, and booksellers out there. I’ve been humbled by their help and support.
  4. The second book isn’t easier to write than the first. I thought it would be. Oh well.


Most writers are inspired by something--other writers, other books, specific people, things they see... What are THREE things that inspired you to write ASHFALL?
A few years ago one of my friends was attacked on the Monon Trail. A group of five guys decided they wanted his $10 garage-sale bicycle, so they hit him over the back of the head with a 2x4 and kicked him more than 20 times, breaking his skull and numerous other bones. The attackers thought they’d killed him, so they dragged him into some bushes to hide his body.

My friend lived and mostly recovered, but the event had a profound impact on me. I became unreasonably fearful, not wanting to leave my home, even though the attack didn’t happen in my neighborhood.

Instead of becoming a shut in, I took up taekwondo. There I met a 15-year-old third-degree black belt, Ben Alexander, who became the main inspiration for Alex.

So three things that inspired ASHFALL: living with and overcoming a visceral sense of fear, learning taekwondo, and meeting Ben Alexander.


These days, it's hard for an author to push his or her work if s/he is not using social media in some way. What are TWO ways in which you are using social media to promote ASHFALL?
Right now I’m way behind on social media. Writing ASHEN WINTER (the sequel to ASHFALL) and touring for ASHFALL is taking almost all my time. But I still reply to all the @ messages I get on Twitter, and stay engaged to a limited extent on Goodreads, Facebook, and Google+.

Social media has been particularly valuable for reaching teachers, librarians, and bloggers. I’m not sure I’m doing a good job reaching my target audience, teens, though. I hope to launch a new effort shortly—the “Could You Survive a Supervolcano” quiz. You’ll be able to answer 15 questions, find out whether you’re ready for Yellowstone, and share your results on social media. So I’m hoping that will reach more teens.

Was that two ways? Close enough.


Although we as authors ultimately hope a reader loves our book and will continue to read our future works, what is ONE thing you hope readers will also come away with having read ASHFALL?
A sense of the impermanence of life. We don’t know how long we’ll be here, either as individuals or as a civilization, so it behooves us to make the best of the time we’ve got.



November 15, 2011

World-Building with Author Barbara G. Tarn (Interview)




I am an eclectic reader. From fantasy to erotica, from thrillers to rom-com, great characters dealing with major conflict can always at least get me to the first page. This year, I have indulged in much fantasy, and author Barbara G. Tarn has been the main author to supply me with it. I've read many of her works set in Silvery Earth and have marveled at the work it takes to develop a whole other world, set with rules, beliefs, values, customs, etc. So, I decided to ask Barbara some questions about world-building and her books, and she graciously answered them all!












Head to ChickLitGurrl: high on LATTES & WRITING now to read my interview with Barbara G. Tarn and definitely consider picking up one or more of her books! Here's the PERMALINK!



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Chocolate-caramel lattes + Women writers = ONE GREAT TIME!


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Direct link to feature can be found [here].


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October 20, 2011

Author Barbara G. Tarn Interviews Moi at Her Blog

Every once in a while, I relinquish my interviewer cap and become the interviewee. Friend and fellow author Barbara G. Tarn invited me to her blog to talk about myself as writer...come check out the interview! [LINK]

October 15, 2011

In 5, 4, 3, 2, 1...Talking with Author Catina Sinches



As a full-figured hot tamale, I am always eager to support other amazing full-figured chicas looking to do great things: case in point, author Catina Sinches and her work, Full Figure Monologues. I'm currently reading it, and all I'll say for now is it offers the inspiration women need to see ALL of their worth. Welcome Catina as ChickLitGurrl: high on LATTES & WRITING's featured author for October!











About Full Figure Monologues

Full Figure Monologues was written to inspire and lend a voice to full-figured women. It focuses on real life issues and captures our hopes, worries and triumphs. The intent is to open up dialogue and encourage people to sit back and look at life from the point of view of women who are realistically the population within society. Women will be able to truly see themselves or someone they know who has dealt with the struggle to love their curves, entertaining negative thoughts, their relationship with food, letting go of the past as well as the courage to pursue their dreams.

Along with our curves, we are real women with everyday struggles. The women in the book put life into perspective and open up to show others that they are never alone. Life is not always going to be easy no matter what size you are, but the journey is absolutely worth it.


Head to ChickLitGurrl: high on LATTES & WRITING now to read my interview with Catina Sinches and read a short excerpt from Full Figure Monologues; here's the PERMALINK!

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September 15, 2011

Walking on Water with Author, Motivational Speaker Stanice Anderson




For September, I am honored to have author, motivational speaker, and definitely an inspiration of mine, Stanice Anderson, as ChickLitGurrl: high on LATTES & WRITING's featured author!








About Walking on Water When the Ground Ain't Enuf

WALKING ON WATER WHEN THE GROUND AIN’T ENUF is a testament to the love, power and grace of God in our daily lives. Stanice Anderson’s mosaic account of her journey over troubled waters toward unwavering faith is meant to inspire, encourage and uplift. Her gripping real stories, captivating testimonies, soul-stirring monologues, and cadenced spokentry, read like intimate conversations with a trusted friend. Get ready to laugh, cry, praise and walk on water. Come on! Get your faith wet.


Stanice's interview is probably the most moving interview I've ever conducted. Although the questions seem innocent and gentle, the answers that Stanice provide showcase her ability to lay out her life for all to see, and in doing so, you can be moved by the journey she's been on and feel a stirring in yourself to see blessings fall into your life. I won't even tempt you with a teaser from the interview. You just need to go, have a cup of coffee or tea beside you, and take a few minutes to fall into the interview (and the cool video) and think on it. I'll just say this--the "Come to Jesus" response? Yeah, it's the one that did me in.

Head to ChickLitGurrl: high on LATTES & WRITING now to read the interview; here's the PERMALINK!



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August 22, 2011

Resurrecting a Historical Figure ~ Interview with Author Sharon Ewell Foster



Right now, extra reading is not happening for me, but I did manage to start a book, a wonderful book that is on my TBR list once I finish with a major project: The Resurrection of Nat Turner by acclaimed author Sharon Ewell Foster. The first pages captivated me, and in this work, we get more than just a riveting story. We get a detailed, well-researched book that resurrects the historical figure Nat Turner, a man whose life--at least the one we know of based on history books--is not what it appears. At ChickLitGurrl: high on LATTES & WRITING, I interview Sharon as CLG's featured author for August, and talk to her about the research, writing, and purpose of a book that Publishers Weekly had this to say about: [The Resurrection of Nat Turner is] “fast-paced . . . nearly flawless . . . riveting and expertly told by an inspired, practiced storyteller.








About The Resurrection of Nat Turner

The truth has been buried more than one hundred years . . .

Leading a small army of slaves, Nat Turner was a man born with a mission: to set the captives free. When words failed, he ignited an uprising that left over fifty whites dead. In the predawn hours of August 22, 1831, Nat Turner stormed into history with a Bible in one hand, brandishing a sword in the other. His rebellion shined a national spotlight on slavery and the state of Virginia and divided a nation’s trust. Turner himself became a lightning rod for abolitionists like Harriet Beecher Stowe and a terror and secret shame for slave owners.

In The Resurrection of Nat Turner, Part 1: The Witnesses, Nat Turner’s story is revealed through the eyes and minds of slaves and masters, friends and foes. In their words is the truth of the mystery and conspiracy of Nat Turner’s life, death, and confession.

The Resurrection of Nat Turner spans more than sixty years, sweeping from the majestic highlands of Ethiopia to the towns of Cross Keys and Jerusalem in Southampton County. Using extensive research, Sharon Ewell Foster breaks hallowed ground in this epic novel, revealing long-buried secrets about this tragic hero.


Head to ChickLitGurrl now to learn more about Sharon's journey of writing and promoting The Resurrection of Nat Turner; here's the PERMALINK!


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Chocolate-caramel lattes + Women writers = ONE GREAT TIME!


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Direct link to feature can be found [here].

July 26, 2011

Plotter-Pantser: Talking with Author CHAMSIL

The Writer





CHAMSIL is an author with over ten years of creative writing experience. CHAMSIL possesses multi-dimensionality as he can easily tailor his writing style to a variety of genres, which include urban, erotica, suspense, comedy, horror, etc. CHAMSIL has the ability to draw in an audience with his storytelling and imagery. CHAMSIL has never been one to bite his tongue on controversial topics such as sex, rape, abuse, murder, etc. He definitely likes to keep it raw and most importantly real, because he strongly feels that if he can't convey his feelings in the realest way that he knows how, then he is performing a true disservice to all readers out there. CHAMSIL possesses and intense passion for writing and is always brainstorming new concepts, which keep his creativity as fresh as it possibly can be. At the end of the day, CHAMSIL feels that it is all about four major components: hunger, determination, drive and passion to get your voice out there and be heard and most importantly...respected. CHAMSIL is the complete creative package. You get all of him and nothing less.

This is the heart, mind, body and soul of CHAMSIL.

You can also learn more about CHAMSIL at his website and at the following spots on the web: Facebook, Twitter, and YouTube.



The Book





For Unbeknownst:

Memphis, Tennessee, 20th century.

Jamin Edson is a young business professional, boyfriend, and father of one who sorely lacks the connection, but is seeking love and acceptance within the confines of his family structure. Although, he has longed for this interaction, it has seemed so far from his reach. So far, that he continuously feels defeated. Lindsay Beauregard is a young business professional, girlfriend, and mother of one who is inflexible in every stretch of the imagination. She is very aggressive, opinionated and does things entirely in the manner in which she feels they need to be done. Hope Edson is a young child and daughter of Jamin and Lindsay, who becomes an unfortunate victim of circumstance and entangled in the web that is her parents’ tumultuous and challenging relationship. When Jamin makes the drastic decision to flee the city, abandoning his family in a last ditch effort to escape the persistent and volatile drama, Lindsay is left with no choice but to pick up the remaining pieces of the shattered mirror. Sadly, Hope is also forced to pick up a piece in order to reflect on her life and where she’s headed, even at a very young age.

Take a journey into their worlds in order to see how lives are forever changed and how those same lives run in parallel to one another in entirely different environments over a span of a number of years. Witness the trials and tribulations, heartache and pain, successes, pitfalls, and shortcomings that are the result of one fateful decision. There are many lessons to be learned. Life goes on. Life brings about new experiences. Life has inevitable challenges. Life isn’t always what it seems. But, ultimately, life catches up with you, sooner or later. The only question is…will you be ready when it does?

This is Unbeknownst.


Click the image above to learn more about Unbeknownst and other works by CHAMSIL!




Plotter ... Pantser


Are you a plotter or pantser...and why? Talk to us about your plotter/pantser role as it relates to the experience you had in writing your latest publication.
You have introduced a very interesting topic, Ms. Bacon, and I must say that I am on both sides of the spectrum when it comes to the writing that I have done, albeit published or non-published over the course of my literary career. Please allow me to elaborate in more detail. I write in both traditional and non-traditional (floetic) formats. When I started writing my very first novel, Unbeknownst, in the Spring of 2005, I totally had to outline it in order to adequately conceptualize how I wanted all the pieces to come together and ultimately become the powerful story that it is. Unbeknownst is written in traditional format. I needed that structure and baseline to not only help strengthen me as a writer, but more importantly help me truly understand how a traditionally-written book should be assembled. My initial outline was a great start, but of course as time went on I had to add things, take things out, make changes, so on and so forth in order to give it the meat that it needed to make an impact. In between me finishing and releasing Unbeknownst as a published product, I wrote and released a free traditionally-written novel, Of This Analverse (An Erotiq Comedy) via MySpace in 2008. This also had to be outlined in order to make sure that it was structurally sound. This was deemed a success by those who read it and it was thoroughly enjoyed and readers had plenty to say about what they experienced with that effort.

Now, on the flipside with my non-traditional (floetic) writing, I pretty much fly by the seat of my pants on those. I have written so many poems that it's crazy. I'm talking thousands. I can be so much more spontaneous and words seems to come to me at so much of a faster rate that it actually excites and challenges me more when I write this way. In a way, floetic is my first love. But, I totally can create in both ways. I've published two books written in the non-traditional format. These books are the LOAD memoirs (An Erotiq Anthology) and Breaux (An Urban Nightmare). I'm actually able to take the reader on such a visually stimulating journey that I feel eclipses the effectiveness that a traditionally-written effort can bring forth. Many people who have purchased my books have shared their thoughts and enjoyment levels with reading something so different and unlike the norm, that they appreciated it more. One thing people could never say about me is that I did it like this person or that person. My writing style, my topics, and overall the way I go about approaching a project is one of a kind. I truly believe that.

My most recent publication is Breaux (An Urban Nightmare) which I released in May of 2011. It's just a wild literary ride. As I rewind the clock back to 2008, I had multiple projects that I was working on. I've slowed down a little bit since then, but I was on a mission to open minds. I was still working on Unbeknownst. Of This Analverse was being written for web release. I conceptualized the LOAD memoirs and Breaux and started slowly but surely putting those together. I was writing other short stories and putting those out there. I was in full scale attack mode. I always knew that Unbeknownst, the LOAD memoirs and Breaux would be my first three published efforts. My vision became a reality. I've worked so hard for this. But, I'm just beginning to scratch the surface. I do believe in myself and strongly believe that a creative mind will outlast the cookie cutter formula to writing books any day. Even if it takes a while to open eyes, I will never stop being who I am.

i am CHAMSIL and i am a plotter AND a pantser.



The Excerpt


From Unbeknownst

I.

A person’s vocal inflexion can dictate a certain level of emotion at any given moment.

“I am so fucking sick and tired of arguing with you all the damn time!” Jamin yelled with a scowl of disgust plastered all over his face.

“Well, if you wouldn’t be so damn stupid, I wouldn’t have to argue with your stupid ass, hear?!” Lindsay responded with a scowl on her face possessing even more intensity.

Lindsay Beauregard and Jamin Edson, a young couple, had been in a relationship for about four years. Trust, it had been a rocky four years, too. They made their home in Whitehaven; a neighborhood located on the south side of Memphis, Tennessee. Both being natives of the Memphis area, they met while attending college at Memphis State University. It was love at first sight and they became damn near inseparable.

But, set the clock forward and one could easily assume that these two individuals hated each other with a passion. But, the regression in their relationship did not happen overnight. Things were real good early on and they did everything together. They worked hard. They played hard. But, most importantly, they loved hard. But, things started to change about a year after their daughter, Hope, was born.

Granted, the couple experienced hardships, but Jamin slowly started to see how Lindsay treated him differently. She stopped paying him much attention, which caused him to become bitter. He had become so infuriated with the situation that there were several occasions where Hope would be crying persistently, and he would never leave his permanent post in the living room to see what the problem was. He would simply ignore her cries and keep doing what it was that he wanted to do. This was regardless if Lindsay was at home or not.

Arguments occurred quite regularly around their home, and Hope was in close proximity during the majority of them. Lindsay tried her hardest to shield Hope from the tumultuous and dysfunctional side of her and Jamin’s relationship. However, that was easier said than done. Lindsay understood how critical it was, because she was a product of an emotionally and physically abusive relationship. She could still vividly recall seeing punches and slaps as a child, as if it had just happened yesterday.



July 19, 2011

Plotter-Pantser: Talking with Author Deborah Batterman

The Writer




A native New Yorker, Deborah Batterman is a fiction writer and essayist. Her stories have appeared in anthologies as well as various print and online journals. A story from her debut collection, Shoes Hair Nails, available in both print and digital editions, was nominated for the Pushcart Prize. She continues to seek that balance between the longer work-in-progress (i.e., the novel) and the shorter, of-the-moment posts on her blog, The Things She Thinks About. . .

You can also learn more about Deborah at the following sites: Facebook, Twitter, and GoodReads.


The Book




The settings of these stories - 1980s New York City, 1950s Brooklyn, Las Vegas, an exurban town post-9/11 - are as diverse as the rich palette of characters drawn with heart, humor, and sensuality. With a sharp sense of the telling detail, Deborah Batterman weaves narratives around the everyday symbols in our world and their resonance in our lives.

Click the cover above to purchase Shoes Hair Nails today!



Plotter ... Pantser


Are you a plotter or pantser...and why? Talk to us about your plotter/pantser role as it relates to the experience you had in writing your latest publication.
A plotter or a pantser? Somehow, I see this an interesting variation on the question of plot-driven vs. character-driven stories, the point being you have to start somewhere.

For me it often begins with an image. The genesis of “Shoes,” for example, was seeing pairs of shoes lined up on the floor of parents’ bedroom, each with its own story, collectively a narrative about a relationship. Another story in my collection, “Hair,” began with a line – “The last time I saw my mother I was propped on a phone book in a red leather chair at Jeanie’s Hair Salon.” “Crazy Charlotte,” a title that’s as much an image as an ironic reference, is a composite character, though I do picture a woman from my childhood who was a bit offbeat, maybe troubled. This approach probably makes me a little more of a pantser—I let the image linger, see where it takes me, at least as a kind of jump-start to a story.

Where do I go from there? Writing, as I see it, is an act of discovery. With fiction – and even more so with poetry – it demands a certain willingness to get beneath the surface of consciousness, give in to the unexpected. Decisions about perspective -- e.g., first person, third person, dual perspective – need to be integral to the narration, not imposed. Finding that balance is part intuition (i.e., pantser), part skillful weaving (i.e., plotter). There are writers who insist you cannot write a story without a full bio of your main character. I’m happiest when I discover something I did not know about him or her.

All of which is to say, from the very beginning I usually have a sense of where a story is headed, but the discoveries and detours along the way are what shape it and bring it to its denouement. As I sit down to write, scenes will come to mind; one scene leads to another, a sequence unfolding around an image, a situation, an event giving rise to a short story. Maybe for its sheer magnitude, a novel demands more of charted course. That doesn’t mean I won’t start out ‘from the gut,’ so to speak. The novel I’m currently at work on is framed around the archetype of a journey, a modern-day ‘Odyssey’ of sorts, rooted in the four cardinal directions. Originally I began it in the East, with the other sections clearly spelled out, only to realize about halfway into it, that the starting point was wrong. In a way, there’s a kind of dance that goes on, ‘pantser’ and ‘plotter’ making room for each other when the time comes for a shift. In the sense that revision is, literally, “to see again,” each draft is a chance for a writer to consider whether the ‘pantser’ has flown a little too freely and lost ground or whether the ‘plotter’ has never really gotten off the ground at all.


July 12, 2011

Plotter-Pantser: Talking with Author Bettye Griffin

The Writer





Bettye Griffin is the author of eleven contemporary romances and six works of women's fiction. In 2009 she founded Bunderful Books and has been publishing her novels independently since that time.  Originally from Yonkers, New York, she now makes her home in Southeast Wisconsin.  For more information about Bettye and her novels, visit her web sites, www.bettyegriffin.com and www.bunderfulbooks.com.

You can also learn more about Bettye at the following sites: Facebook, Her Blog, and YouTube channel (book trailers).



The Book





In this updated, revised eBook version of Bettye Griffin’s classic novel originally published in 1999…

Ava Maxwell has made a career out of helping other people with their dreams as the leading wedding planner in the trendy but troubled city of Palmdale, Florida. She cherishes the idea of couples starting marriages and creating families…knowing that for her, the reality was painfully different.

Ten years before Ava walked out on her marriage when she and her ex-husband received the devastating news that she would never be able to have children…the one thing her ex wanted most. The intervening years have been marked by aborted relationships, her only comfort being the belief that she will finally be able to claim happiness once she reaches the point in her life where she would no longer be expected to bear children…but she’s only thirty-five years old and lonely, and ‘that certain age’ is still a good ten years away.

Then, in the same remarkable evening, Ava encounters both an eight-year-old purse snatcher and an exciting new man in town.  Unlikely alliances are formed, bonds that soon deepen into something more special than she’s ever known. Could these two be the key to her attaining…A Love of Her Own?


Click the cover above to purchase A Love of Her Own today!




Plotter ... Pantser


Are you a plotter or pantser...and why?
I'm definitely a plotter.  In my years as a tradntionally published author, I sold on synopsis, not on an entire manuscript.  Even with me now independently publishing my novels, I have to make sure a story will work before I start writing...don't want to get halfway through and then have to throw it out.


Talk to us about your plotter/pantser role as it relates to the experience you had in writing your latest publication.
My latest eBook, A Love of Her Own, is actually a re-release, although one that has been revised and updated.  My most recent new project, The Heat of Heat, started with a general idea:  I wanted to give my readers the sequel to From This Day Forward that they wanted, about the heroine's much younger half sisters.  Then I decided to add the daughter from my book Closer Than Close, who was in the same region and was about the same age.  I made them college friends.  I knew I wanted different types of romances:  the scenario where a woman gets swept off her feet, the scenario where the couple act on sexual impulse, and the traditional scenaro loaded with angst.

From there I laid out the women's characters (they had been introduced previously, but as teenagers...they are grown women now).  I decided they had all been business majors and were all running service industries:  a limousine service (Sinclair), an event planning service (Yolanda), and, the least glamorous, an office cleaning service (Chantal), because Eastern Long Island is also a place where ordinary people live and work.  That made choosing the men's professions easier:  the partner for Sinclair's limo service operator would be a wealthy businessman visiting the area (Ivan), and she had to drive him herself because they were so busy.  I originally had event planner Yolanda meeting her partner, rising pop singer Carlos, at an event she was organizing, but changed that to a concert at a small, intimate venue.  I wanted to give that aura of magic as he spotted her in the audience and visibly became mesmerized, plus it seemed like a good way to introduce most of the major characters.

As for Chantal, the custodial service manager, I had her having to fill in for an ailing employee at an upscale office, where she encountered Trystian, a CPA who instantly antagonizes her by calling her by the name of the regular cleaning person without looking up. I had heard about a 1930s script writer who wanted to use a real-life incident of the back of a woman's dress getting caught in the fly of a man she didn't know at a party (in the end he had to modify it somewhat to appease the censors of the time), and decided that would be a good way for them to have their second encounter, after both of them had freshened up in the locker room on the premises.  There's more to it than that, but I don't want to spoil it for readers who might not yet have read the book.



Excerpt


Excerpt from A Love of Her Own by Bettye Griffin


Frank’s Fish Box was a popular informal seafood restaurant on Ocean Avenue in Nile Beach. The two-story restaurant was large and square, actually shaped like a box. Like every other building in the area it was lit with Christmas lights. Because of its boxy shape, the overall effect was that of an oversize Christmas gift.

It was also full, but only four people were waiting to be seated in the reception and bar area in the front. The hostess took their name and assured them a table would be available within the next fifteen minutes.

“Let’s have a drink,” Hilton suggested. They sat at the bar, and Ava ordered a Chardonnay, Hilton a Seven and Seven.

“Ava, hi!”

“Linda! What a surprise! I thought you were living in West Palm.” Ava warmly hugged the attractive fortyish woman who’d been passing by with a companion.

“I am, but we came to spend the holiday at my father’s. It was here that we met two years ago. I guess we’re just sentimental.” She took the arm of the bespectacled man standing to her left, whose black hair contained a smattering of gray. “Honey, this is Ava Maxwell, an old friend of mine. Ava, this is my husband, Neil Barkley.”

Ava shook hands with Linda’s husband, then introduced Hilton to both of them. “Tell me, will you be here for the entire holiday season?” she asked, beaming. She was so happy for her friend, whose face just glowed.

“Until January second.”

“Then you must come to my open house New Year’s Day. Take down my address.”

The bartender placed their drinks in front of them just as Linda completed writing down Ava’s address. Neil held up his hand. “I’ll take care of that, bartender,” he said.

“Oh, that’s all—” Hilton began.

“No, I insist,” Neil said. He squeezed Linda’s shoulders affectionately. “We’re celebrating. Linda’s pregnant.”

Ava placed her hand palm down on the surface of the bar and swallowed hard. Pregnant? Linda? If it were anyone else…but Linda? How could that be?

The answer came to her just as quickly.

It couldn’t be.

Hilton was offering congratulations and pumping Neil’s hand. “Hey, that’s wonderful.”

“Um...will you excuse me?” Ava asked. “I’ll be back in a minute.” She knew Hilton and Neil would think her behavior odd, but she had to compose herself, quickly, and in private.

“I think I’ll go along,” Linda said. She hurried off behind Ava.

In the privacy of the lounge area of the ladies powder room, Linda said, “Thanks for not giving me away. I know Neil’s announcement came as a shock.”

“Linda, what’s going on? In our infertility support group you said your endometriosis was so severe you had to have a hysterectomy.”

“I did. It cost me a husband, and I thought I’d never get over it. But then I met Neil. He’s wonderful, Ava. He’s been married before, too, but only for a few years. He’s gotten everything he’s wanted out of life except children. He told me from the beginning that he wanted a family, that even one child would be fine. I agreed.”

“Linda, how could agree to such a thing when you knew it was impossible?”

“I didn’t want to lose him, Ava! Don’t you understand? I can’t be dumped twice in a lifetime because I can’t have kids!”

Ava took her friend’s hand. “I know what happened to you was devastating, and I think your husband—your first husband, I mean—was a macho heel to treat you the way he did, but don’t you see how wrong this is? Obviously you can’t keep up the charade forever. So what happens? A miscarriage? Surely you’re not going to steal someone’s baby!”

“Of course not. It’ll be a miscarriage. What other choice do I have? I’ve been faking having periods all this time.”

Ava shook her head. “Linda, how could you?”

“Everybody can’t be as noble as you are, Ava, and walk out of an otherwise happy marriage.”

“But it’s what Neil wanted. How can you knowingly deprive him of that?”

“I have no choice,” Linda repeated. “It’ll be soon, after we’re back home. He has to go out of town on business the second week in January, and by the time he gets home it’ll all be over. Then I’ll just never be able to conceive. That’s not so unusual for women my age. I’m forty-two, you know. Maybe then Neil will want to adopt. He wasn’t too keen on the idea when I suggested that my childbearing years might be behind me.”

“Oh, Linda.” Ava shook her head.

“Please go along with me on this, Ava. I can’t tell you how much it means to me.”

“What about your family? How do you know your father won’t give it away?”

“My father doesn’t even know I had a hysterectomy. All I told him at the time was that I needed gynecological surgery. He knew from when my mother was alive that I had all kinds of female troubles, but I didn’t have the surgery until after my mother had passed. You know how uncomfortable men are with those details. He’s remarried now, and my stepmother doesn’t know about it either. Ava, are you with me on this? I need to know.”

“I won’t say anything,” she said after a long moment of silence.

“Oh, thank you, honey!” Linda hugged her, but it was with a limp hand that Ava patted her friend’s shoulder.



July 5, 2011

Plotter-Pantser: Talking with Author Mike Mullin

The Writer




Mike Mullin’s first job was scraping the gum off the undersides of desks at his high school. From there, things went steadily downhill. He almost got fired by the owner of a bookstore due to his poor taste in earrings. He worked at a place that showed slides of poopy diapers during lunch (it did cut down on the cafeteria budget). The hazing process at the next company included eating live termites raised by the resident entomologist, so that didn’t last long either. For a while Mike juggled bottles at a wine shop, sometimes to disastrous effect. Oh, and then there was the job where swarms of wasps occasionally tried to chase him off ladders. So he’s really hoping this writing thing works out.

Mike holds a black belt in Songahm Taekwondo. He lives in Indianapolis with his wife and her three cats. ASHFALL is his first novel.

Website: www.mikemullinauthor.com
Blog: http://mikemullin.blogspot.com/
Twitter: https://twitter.com/#!/Mike_Mullin
Facebook: https://www.facebook.com/profile.php?id=100001482248900
Goodreads: http://www.goodreads.com/author/show/4445700.Mike_Mullin


The Book




Many visitors to Yellowstone National Park don’t realize that the boiling hot springs and spraying geysers are caused by an underlying supervolcano. It has erupted three times in the last 2.1 million years, and it will erupt again, changing the Earth forever.

Fifteen-year-old Alex is home alone when the supervolcano erupts. His town collapses into a nightmare of darkness, ash, and violence, forcing him to flee. He begins a harrowing trek in search of his parents and sister, who were visiting relatives 140 miles away.

Along the way, Alex struggles through a landscape transformed by more than a foot of ash. The disaster brings out the best and worst in people desperate for food, clean water, and shelter.  When an escaped convict injures Alex, he searches for a sheltered place where he can wait—to heal or to die. Instead, he finds Darla. Together, they fight to achieve a nearly impossible goal: surviving the supervolcano.

The first two chapters are available at Mike Mullin's website!



Plotter ... Pantser


Are you a plotter or pantser...and why?
Yes, I am, thank you. A plotter and a pantser.  In fact, I don’t think any of us are purely one or the other. It’s sort of like autism spectrum disorder—all writers fall somewhere on the plotter/pantser spectrum. Writing is probably a disorder, too, but I’ll leave that for you to judge.

No, you protest? I plot every detail of my story and follow my outline with religious fervor. Or, I never plan ahead—how dare you suggest I put my precious characters into straitjackets? My response: you need to try the other style.

I’m not pulling this suggestion out of my butt. (Clearly I’m capable of pulling ideas from there—I write fiction, after all.) Deren Hansen recently posted a helpful piece on Literary Rambles summarizing recent psychological research on this topic. The punch line:  “People with a rational problem-solving style (plotters) and people who approach problems intuitively (pantsers) generated more creative answers when they were asked to solve a problem using the opposite style.”

I’ve tried both. I pantsed my first novel, which may forever remain in a drawer.  But even while pantsing that novel, I had plot ideas in my head. I even had whole scenes written out—I was pantsing the spaces between them, not the whole thing. I’m now on my fifth full revision of that novel—one of which was a rewrite done plotter-style.

I plotted my second novel, ASHFALL, which will be released by Tanglewood Press on 10/11/11. By plotted, I mean I started with five pages of chaotic notes about the novel. I frequently pantsed my way off the plan. For example, I stayed with my uncle, who was dying of metastasized colon cancer, for a few days while I was drafting ASHFALL. While I was there, I wrote a section of ASHFALL that had never appeared in any of my notes. In those two chapters, Alex, my protagonist, meets a family grieving their dead father.

Later, my wife and I took a road trip to Iowa to drive the route Alex takes while trying to find his family. A stop in Bellevue, at Mississippi Lock and Dam Number 12, inspired another couple of pantsed chapters, in which Alex crosses the Mississippi.

Plot if you want, but be open to pantsing. Pants if you want, but be open to plotting. Whatever it takes to reach your maximum creative potential and give your readers the novel they deserve.


Talk to us about your plotter/pantser role as it relates to the experience you had in writing your latest publication.
Oops, I already covered this question in my answer to the first. I should have plotted this interview instead of pantsing it. Sorry about that.

June 15, 2011

A Writer's Journey: Author Cheryl Snell



Come by ChickLitGurrl: high on LATTES & WRITING to check out the featured author for June, Cheryl Snell!








About Shiva's Arms

When Alice marries Ramesh, she is plunged into a battle of wills with her mother-in-law. Namesake of a god, Amma reigns over Alice's household until a family secret is revealed that costs the old woman everything. Now it is up to Alice to heal the rift, as Shiva’s Arms evolves into an exploration on cultural identity, the power of reconciliation, and the meaning of home.


During the interview, I asked Cheryl, If there were one author you could sit down and spend an hour with talking about writing, who would it be...and why? to which she replied: "Flannery O’Connor. I admire her contradictions, the way she flirted with disgust in her grotesques, her fanciful love of peacocks -- and I’d really like to know how she managed to write so steadily with Damocle’s sword over her head. Lupus is such a vicious condition."

Learn more about Cheryl, her latest project Shiva's Arms, and her wonderful collaborations with her sister by heading to ChickLitGurrl: high on LATTES & WRITING




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Direct link to feature can be found [here].


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March 28, 2011

GREAT CHARACTER with Author Tracey M. Lewis-Giggetts

The Writer

An author, educator and entrepreneur, Tracey M. Lewis-Giggetts offers those who hear her speak or read her writing an authentic experience; an opportunity to explore identity, faith, and purpose at the deepest levels. Serving as an adjunct professor at several universities in PA and NJ, Lewis holds a Bachelor of Arts degree in Communication from the University of Kentucky, an M.B.A. from Montclair State University in New Jersey, and is currently finishing a M.F.A in Creative Writing from Fairleigh Dickinson University.

As an author she has published two award-winning poetry collections (Collapsed and Divine Nepotism) and is the author of three additional books, including the celebrated Christian fiction "Gospel" series. Her last novel, Interruption: The Gospel According to Crystal Justine, is a dynamic and compelling exploration of the role of generational curses in one young woman's pursuit of love and destiny. In the Fall of 2011, Tracey's first non-fiction project will be published by Beacon Hill Press and is titled, The Integrated Church: Strategies for Multicultural Ministry.

Lewis’ writing has also been published in local, regional, and national publications such as Philadelphia Weekly, Legacy Magazine, African American Career World, and Workplace Diversity. This Louisville, KY native and Philadelphia resident is a regular blogger and also co-penned the critically acclaimed stage play, KHEPERA, which ran off-Broadway in 2002.

You can learn more about Lewis and her works by visiting her on Facebook and by checking out her official website.

March 21, 2011

GREAT CHARACTER with Author Kit Frazier

The Writer




Award-winning author Kit Frazier is a professional journalist and winner of Barnes & Noble Author of the Month and Mystery Guild Pick of the Month.

As a member of Austin Search and Rescue and Civilian Police Patrol, Kit participates in research and training with the FBI and Austin Police Department, which provides lots of opportunity for murder, mayhem and some really hot guys.



[Official Website] [Blog] [Facebook] [Twitter]


March 14, 2011

GREAT CHARACTER with Author Edward Dean Arnold


The Writer



Represented by one of the top literary agencies in New York, Edward Dean Arnold is the author of Soul Disclosure and Lovin' Mrs. Jones. In addition to being a full-time writer, he is also the President & Publisher of PENDIUM Publishing House and the founder of the creative venue selfplug.com. Born in Eastern North Carolina, Edward is currently working on several literary projects which include his next novel titled No Love Left. To find out more, visit his website or check him out on Facebook.


March 7, 2011

GREAT CHARACTER with Author Lauren Baratz-Logsted


The Writer



Lauren Baratz-Logsted left her day job as an independent bookseller in 1994 to take a chance on herself as a writer. While trying to get published, over the next eight years she worked as many as four part-time jobs at once to keep the bills paid. She also wrote seven novels during that time period, the sixth of which, The Thin Pink Line, was the one that finally sold. Since 2003, she’s had 19 books published for adults (Vertigo; Baby Needs a New Pair of Shoes), teens (Crazy Beautiful; The Education of Bet), tweens (Me, In Between) and even young children (The Sisters 8 series). In 2011, she’ll have three more books published, including Little Women and Me, about a contemporary teen who literally gets sucked into the classic Louisa May Alcott novel where she discovers herself to be a fifth March sister.

You can learn more about Lauren and her literary works at her [website] and by checking her out on [Twitter].

March 1, 2011

GREAT CHARACTER with Author Samara King


The Writer



Samara King began her literary journey at the age of twelve years old while sneaking to the back of the library and indulging in romance novels; soon after, she wrote her own! She has penned three novels and eleven novellas all within the multicultural erotic romance genre, as well as two poetry collections.

In 2010, Samara launched SK MINIs, her novella imprint to be headed by Samara King Books, her self-publishing company.

Her first poetry collection, The Ebony Kryptonite, will be followed by The Naked The Bare. She has been published by Cobblestone Press, Changeling Press, Loose Id, and Total-e-Bound to date.

Currently she is working on her next SK MINI project.

Samara lives with her teenage son, where she encounters new adventures every day that service her in the creation of each of her stories!



[Website] [Twitter] [Facebook] [BlogTalkRadio] [Characterology]



February 14, 2011

Take Five with Erotic Romance Author Leigh Ellwood




ChickLitGurrl: high on LATTES & WRITING's featured author for February is an author who knows a thing or two about letting words set flames upon the page for readers: erotic romance author Leigh Ellwood!











During the interview, I asked Leigh, What draws you to write erotic romance? She replied, "I would say what draws me to this genre is what draws me to writing mystery, or non-erotic romance - the potential for telling a good story. With erotic romance, I have the chance to live a few fantasies I likely wouldn't try in real life (nothing I would admit to having done, anyway!) I tend to inject quite a bit of humor in my stories as well, and I like to test that in some erotic stories I write just to see if it works. The genre is very flexible, and it's fun to realize new ideas."



Stop by ChickLitGurrl: high on LATTES & WRITING to check out more of my interview with author Leigh Ellwood and to read an excerpt of her latest romantic treat, BOONE!



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Chocolate-caramel lattes + Women writers = ONE GREAT TIME!


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January 31, 2011

What Is a Good Book with Author Brandelyn N. Castine

The Writer


Brandelyn N. Castine is the author of Everybody Plays the Fool (novel), Spoken Silence: Life in four parts (a volume of poetry), U.G.L.Y. (novel), Spoken Silence Volume 2 (forthcoming volume of poetry). Brandelyn currently lives in the Bay Area where she is a full time writer and contributes freelance projects for Leather, Empress and Vapors Magazines. Brandelyn is also a contributing author in the Gumbo For the Soul anthology, a project that was created to raise funds to support literacy programs in the Bay Area, as well as the When I was Was There, Life at Berkeley 1960- 2010 anthology project.



[Website] [Twitter]


The Book


Meet Blair Hughes, a beautiful, intelligent and talented young woman who believes her identity is defined by her size 22 waistline. With constant scrutiny about her weight and a pattern of failed diets, Blair has given up trying be the perfect size six and has allowed herself to fade into the background.

Blair’s unforeseen romance with Salim Martin, a talented young writer begins to chip away at her insecurity and forces her to look at herself differently. As Salim works overtime to show her how beautiful she truly is, his best efforts are not strong enough to keep Blair from waiting for the other shoe to drop.

When an unexpected betrayal rocks her world, Blair flees from her friends and family to get a fresh start in the unpredictable streets of New York City. However this new life forces Blair to deal with a lot more than she bargained for.

Suddenly forced to recreate her personal definition, Blair travels through a series of right and wrong turns, chance encounters and unimaginable situations that ultimately lead her to a place where she is able to look past the physical and discover what it truly means to be U.G.L.Y.


Click the cover above to order your copy of U.G.L.Y. today!


A GOOD Book


What is your definition of a good book?
The best analogy I can give when thinking about the definition of a good book is Alice In Wonderland. I love the scene where she peeks into the Rabbit's hole, falls in and tumbles, twists and turns, finally landing in a whole new world. To me, that is exactly what a good book does for you. When you first open the pages of a new book, you have no real idea where the story will take you. So you peek inside, hoping for the best, and before you know it, you are twisting and turning and falling into a whole new world. Everything is strange, yet familiar and suddenly you find yourself oblivious to the reality around you and sucked into everything that is happening around you in this fictitious world. A good book gives you an escape and allows you to travel and explore a whole new world.


How does your latest literary offering qualify as that "good book"?
My latest novel U.G.L.Y. is a good book because the characters are human. Their insecurities and life choices are familiar and allow the reader to identify with their questions and doubts and victories and it is this connection that enables the reader to jump feet first into the story. I am really big on description because I want my readers to feel everything the characters are feeling and feel as though they are right there in the scene with them. U.G.L.Y. covers the full gamut of emotions, but is not light on the humor. The story is one that you find hard to put down and allows the reader to discover something new about themselves every time they read it.



Excerpt


"Fat Bitch!"

Everything around me seemed to freeze as the vicious words reverberated above my head. I squeezed my eyes shut and tried to mentally shake the heaviness of the painful language from my shoulders where it now laid to rest. I looked around me and saw the universal look of pity mixed with anger and confusion from his eyes that seemed to blink at the brightness of the sudden and unwelcome attention that was now focused on me. He turned his head back to the street; his eyes scanned the cars as they seemingly crept past us slowly, as though even they were unsure how to react. I sucked in a deep breath, and exhaled, shaking the world back to life with the shuddering motion of my head, somehow summoning enough strength to force a plastic smile onto my face.

"What the hell was that?" his voice said loudly, competing with the uncompromising presence of the New York City streets. His eyes tried to camouflage the embarrassment and uncertainty that seemed to pour out of him. He turned to me once again and scanned my face for a reaction.

I focused my attention ahead and felt my face begin to strain against the fake smile that painted itself across it.

"I don't even know who that was,' I said tucking a loose curl behind my ear and tugging at my shirt hoping I could get it to cover up my shame, ‘don’t even worry about it, really.”
He looked at me and placed a bony hand on his hip. His mouth opened and closed as he racked his brain for the right thing to say.

"No, for real," he finally stuttered, "what the hell was that?"

I knew that he didn’t know what to say; that he had never had anything like that said to him; that he had never had to pretend something hadn't sliced him in half and exposed all of the inner turmoil he felt about himself. I knew that he had never been summed up in a single phrase and had been flooded with tears so plentiful that he felt his spirit would drown, all because of the words of a stranger. I knew that my embarrassment and shame were too powerful to face on a regular weekday, so mock anger seemed like the best reaction to take, the reaction that could link him to whatever he guessed I was feeling.

"Let it go, honestly," I heard a voice that sounded like mine say, lightly, while I stood rooted in my spot, watching myself continue to walk, amazed at my ability to put one foot in front of the other, head held high, shoulders straight, eyes focused. I watched myself walk away, while my soul cowered in the corner and began to shudder from silent tears.

“Girl, I don’t know why you’re being so calm. I’m ready to whoop somebody’s ass,’ he continued, each moment feeling as though he had connected to my feelings. He looked over his shoulder, continuing to search for the reason why, unable to take a good honest look into my face, unwilling to truly gage my reaction, 'that was so disgusting. Do you even know who that was?"

I watched myself smile slightly as my soul stood rooted behind crying, each tear whispering out the secrets of my life. My body knew how to pretend that it had never happened while my soul was allowed to be stunned and confused.

"No," I said again, feeling something inside of me break with each step we took. My body avoided looking into any of the glass windows that seemed to go on endlessly as we walked. I knew that I would not be able to see my soul's reflection. I knew that my soul wasn't there. My soul was still in the corner, cowering and cold. I looked back on it, shaking my head sadly, disappointed at its cowardice.

He looked back one last time to search for the car that was long gone.

Things had started off simply enough. The afternoon was turning to evening as we strolled slowly and without purpose, stopping to cool off with iced coffee at a tiny café we discovered along our travels. We continued on with our exploration, stopping in various stores in the West Village and allowed the sunshine to kiss our exposed skin. As we stood on the corner of Christopher and 7th Avenue, a white car slowed as it passed. The back window rolled down and a man in the back seat yelled out "Fat Bitch" and spat in my direction before the car peeled off, with the sound of laughter trailing behind it. We stood there for a split second, Branden standing next to me stunned, me standing next to him, stunned, and me standing next to me, shattered and drowning in my own tears.

He continued to walk, shocked and disgusted, tossing out threats, still unable to look me in my face. My body, continued to walk along side him, pretending as though it was just another day, searching my brain for something, anything to change the subject with, but my soul felt like it was snatched from my body and was instantly transported back to those high school days when my weight was the only thing anyone saw. Instantly everything I had accomplished, everything I had become melted into a simple image and I became just a fat girl again and all it took was one word from a stranger. One word from a stranger shook loose any shred of confidence I had been clinging too. One word from a stranger instantly made everything I had on uncomfortable, made me suddenly aware of every article of clothing, every piece of jewelry. Every step felt forced, but my body, with all of its years of experience in pretending that nothing happened found a joke to crack, and a store window to point out, easily successful in convincing both of us that everything was okay. My body was able to convince both of us that the incident had not happened and that I was still talented, beautiful, desired, and successful. But my soul knew the truth. My soul understood that one word from a complete stranger made me feel like I was nothing more, than a size, an image or an opinion. Every pound that I carried suddenly felt like a million. As we continued to walk, every step made me feel more and more like a fat...



January 24, 2011

What Is a Good Book with Author Ellen Meister

The Writer





A former advertising copywriter, Ellen Meister left the business world to raise a family and chase her fiction-writing dreams. She is the author of three novels, THE OTHER LIFE (Putnam, 2/2011), THE SMART ONE (HarperCollins/Avon, 8/2008) and SECRET CONFESSIONS OF THE APPLEWOOD PTA (Morrow/Avon, 8/2006), as well as numerous short stories, including a contribution to the recent MILK & INK ANTHOLOGY. She currently curates for DimeStories, a literary podcast program, and runs an online group for women authors.

Ellen lives on Long Island with her husband and three children, and is at work on her fourth novel, FAREWELL, DOROTHY PARKER.


[Website] [Blog] [Facebook] [Twitter]





The Book





What if you could return to the road not taken?

Quinn Braverman never told her loving husband, Lewis, that the real reason she chose him over her neurotic, semi-famous ex-boyfriend, was to show her mother that she could have a happy, stable relationship with the guy next door.

But she has an even darker secret: Quinn knows another life exists in which she made the other choice and stayed with her ex-boyfriend. The two lives run in parallel lines, and there, on the other side, the Quinn who never married is speeding through her high-drama life in Manhattan. Here, she lives in the suburbs, drives a Volvo, and has an adorable young son with another baby on the way.

So far she’s played it safe, never venturing over to the other side. Then a shocking turn of events rattles Quinn, and she makes the reckless choice to finally see what she’s been missing.

There, she not only rediscovers her exciting single life, but meets the one person she thought she’d lost forever. Her mother.

But Quinn can’t have both lives. Soon, she must decide which she really wants—the one she has…or the other life?



Click the cover above to order your copy of The Other Life today!




A GOOD Book



What is your definition of a good book?
I like the way this question is phrased, because it implies that it's completely subjective ... which of course it is! Not only that, but for me the answer is a moving target that shifts according to whatever book has most recently grabbed my interest. Sometimes it's a voice that's so fresh it leaves me breathless. Other times it's a plot that pulls me in so deeply I can't put the book down. And often it's the glimpse into a truth so profoundly simple that I fall head over heels in love with a single sentence.

But always, it's the characters. And when I can feel an author's abiding affection for his or her characters, despite their flaws, I'm all in. To me, it doesn't get any better than that.


How does your latest literary offering qualify as that "good book"?
I think it's up to the readers to decide if THE OTHER LIFE fits the definition. I hope they think it does, because I believe so deeply in this book. When I got the idea to write about a woman who had the ultimate escape hatch--a portal in her basement to the life she would have had if she never got married--I felt something click. And then, once I realized who my characters were and that my protagonist's mother was dead in one life and alive in the other, I knew this was a "what-might-have-been" story I couldn't turn my back on.

In fact, when I sent my agent the proposal, I had to hold my breath waiting to hear back, because I knew I simply had to write this book, even if it she didn't approve. Fortunately, she loved it, and so did several editors who bid on it at auction. I hope readers feel the same way!



January 17, 2011

What Is a Good Book with Author Anthony Anderson

The Writer


Upon reaching a certain age and noticing a certain expanding of his waistline, Anthony Anderson struck upon the idea of a writing career as a method of weight loss. He is so confident that he will not be overeating in the future, he has begun work on his second novel. You can learn more about Anthony and his writing endeavors at his [blog].


The Book


What would Latrina Emerson, unassuming librarian and church organist, have in common with an agnostic physicist and a bunch of occultists over 2000 miles away? Absolutely nothing if she could help it. Some not-so-benevolent "Forces of Light", alas, won’t let her help it. She’s part of their plan save their credibility after some recent embarrassments (Y2K failing to end the world on prophetic schedule, increasing distrust of authority, etc) and shut up those smart alecks in the Forces of Darkness. But the Forces of Darkness have never followed the Light's rules—like the ones that say they have to be totally evil or always lose in the end—and they're not about to start now. A faction of Hell, in fact, has decided that despite religious and philosophical differences, Latrina is too decent a person to be martyred "for the greater good". Warning her, however, gets a bit tricky. And the real wild card may be Latrina herself, who may not be as “manageable” as the Powers-That-Only-Think-They-Be would like.


Click the cover above to order your copy of The Vile, Sinister, and Most Utterly Diabolical Account of Latrina Emerson today!


A GOOD Book

What is your definition of a good book?
My definition of "good" as far as books, movies, music, TV shows, newspaper articles, video games, etc is so simple that some people of a more "intellectual" bent might take umbrage to it. How "good" I judge a work to be is how well it answers this question: "Do I REALLY want to spend my time with this piece?" If I'm under no outside obligation to deal with this book, film, etc (writing a review, studying it for a class or book club meeting, trying to impress some woman I met at the art museum...); do I really care what happens next in the story? Once I finish, do I feel it was a fair exchange of my time? Would I purposely listen to the song again? How much time would I spend looking at some particular piece of artwork? Would I buy this video game after renting it? A lot of times the answer has been "no", but that doesn't necessarily mean that the piece is "bad" in some objective sense. It's just that the piece didn't work for me.


How does your latest literary offering qualify as that "good book"?
Well, in light of what I've just written, the most honest thing I can say is "Dunno." It's been good for me because--now that I look back on it--it's sort of an homage to a lot of my favorite stories and ideas that have passed through my little brain during my lifetime. I loved writing it overall even when I've been so frustrated with it that I'd seriously despaired of ever completing it. Hydra M. Star, who edited the book for me, and other people who've read the earlier chapters when I was calling it "Maid of Honor" told me they liked it, so I guess it was good for them. Other people who take certain things more seriously than I do may very well NOT like it (especially once they read the book description I've included here). To such people, it could very well be a very BAD book.

I've got nothing against "literary" or "artistic" works; in fact, "highbrow" ideas are the kind of toys I like to play with. But I indulge myself in them because I enjoy doing so, not because some humorless intellectual told me that I should for posterity's sake. I'd rather concentrate on writing the best stuff I can for readers who are alive now. Being remembered by some "artist circle" decades after I'm dead and gone is not my primary concern (and from what I studied, it wasn't the primary concern of Shakespeare or many other "darlings" of the literary world either).



Excerpt

Sathariel continued. “We now must consider a crucial qualification: just how well can she handle knowledge of certain Secrets of the Universe? She may fare a little better in that category than in general combat. She’s a member of one of the more charismatic denominations of Christianity. As such, her belief system considers angels and demons to be real and palpable forces in her world. The Cherubim calculate she wouldn’t suffer as much of a shock as our more ‘practical’ candidates. Then again, belief in things beyond the physical doesn’t necessarily protect a human from severe cognitive dissonance, regardless of faith. I’m sure you can all recall problems we’ve had with visitations.”

The angels all muttered in agreement. They well remembered the Virtues’ initial attempts to recruit humans by condensing down to Earth and performing direct miracles like healing the sick, feeding the hungry, giving sight to the blind, and so forth. The fortunate recipients of these boons were then supposed to go forth and recruit even more humans for Elysium. More often than not, however, when a bunch of eight-foot tall glowing humanoids with twelve-foot blue wingspans had suddenly materialized, many so-called ‘believers’ had simply keeled over dead in shock, the little ingrates. From then on, Elysium resorted to direct manifestation and miracles much more sparingly.



***


“Okay, but as long as it’s not some mess about thugs, pimps, and prostitutes,” she said as she took the 15A exit off the Interstate and turned toward the posh center of Memphis Yuppiedom that was Germantown. She was thinking more about what she might or might not have heard on the radio a few minutes ago.

Meanwhile, the radio deejay announced that he was going to go “back in the day” with the next song. Latrina thought he meant some Motown song out of the Sixties, but apparently the announcer felt Justin Timberlake’s “Sexyback” was old enough. Mavis was in the passenger seat snapping her fingers and swaying to the beat. “Oh, yeah, that’s my shit right there, girl.”

Lord, grant me the serenity, Latrina thought, not believing the morning she was having. She didn’t have to look directly at Mavis to let her passenger know how she felt. The blank look on her face said that she took to the song in much the same way she would have taken to the suggestion that she could help increase attendance at her church by wearing only clear heels and a thong and offering lap dances during Sunday service.

“Oh, lighten up, girl,” Mavis said as she changed the station to 103.5 FM, much to Latrina’s relief. “We’ll put on some grown folks’ music for you.” They came in on the middle of Marvin Gaye crooning “Sexual Healing”. “Oh, now, that needs to be your song, Trina.”

“Yeah, when I finally get married,” she said. She preferred Marvin Gaye’s older stuff like “What’s Going On”. “Sexual Healing” was not something she wanted to think about just then.

“Well, if you want to catch a husband you might want to just modernize your wardrobe a little bit,” Mavis said as they stopped at the traffic light on Poplar and Kirby Parkway, near the shopping plaza. Marvin Gaye faded back into the static once he had had his say. No one really bothered with trying to adjust the radio as they were only a tenth of a mile from work. “I know you ain’t a ho, but would it kill you to remind the fellas once in awhile that you’re an actual woman?”

“I don’t think guys would normally wear my clothes.”

“Oh, now you’re trying to be funny, huh? Well, let me tell you what’s funny. What’s funny is that the average mummy shows more skin than you. Look, all I’m saying is that I don’t see how you going to attract a man’s attention when your clothes probably make him feel like he’s trying to push up on his grandmamma. I mean sometimes you dress like an extra for ‘The Color Purple.’”

“Hey, I liked that movie,” Latrina said. “Besides, I know you’re exaggerating because I know my clothes are not that far out of style.”

The chorus of “Time Warp” from the Rocky Horror Picture Show suddenly resounded out through the static.

“And you can just hush,” Latrina snapped at the radio, forgetting to care how that looked to Mavis.