September 15, 2011

Walking on Water with Author, Motivational Speaker Stanice Anderson




For September, I am honored to have author, motivational speaker, and definitely an inspiration of mine, Stanice Anderson, as ChickLitGurrl: high on LATTES & WRITING's featured author!








About Walking on Water When the Ground Ain't Enuf

WALKING ON WATER WHEN THE GROUND AIN’T ENUF is a testament to the love, power and grace of God in our daily lives. Stanice Anderson’s mosaic account of her journey over troubled waters toward unwavering faith is meant to inspire, encourage and uplift. Her gripping real stories, captivating testimonies, soul-stirring monologues, and cadenced spokentry, read like intimate conversations with a trusted friend. Get ready to laugh, cry, praise and walk on water. Come on! Get your faith wet.


Stanice's interview is probably the most moving interview I've ever conducted. Although the questions seem innocent and gentle, the answers that Stanice provide showcase her ability to lay out her life for all to see, and in doing so, you can be moved by the journey she's been on and feel a stirring in yourself to see blessings fall into your life. I won't even tempt you with a teaser from the interview. You just need to go, have a cup of coffee or tea beside you, and take a few minutes to fall into the interview (and the cool video) and think on it. I'll just say this--the "Come to Jesus" response? Yeah, it's the one that did me in.

Head to ChickLitGurrl: high on LATTES & WRITING now to read the interview; here's the PERMALINK!



ChickLitGurrl: high on LATTES & WRITING


Chocolate-caramel lattes + Women writers = ONE GREAT TIME!


[chicklitgurrl.blogspot.com]



Direct link to feature can be found [here].


Leave comments!

September 12, 2011

Story Trumps Innovation - Latest Blood-Red Pencil Post



Are you trying to be innovative in your writing? Are you remembering the STORY? Check out my latest post, "Story Trumps Innovation" @ Blood-Red Pencil to read my thoughts on the subject. Leave comments - link

August 22, 2011

Resurrecting a Historical Figure ~ Interview with Author Sharon Ewell Foster



Right now, extra reading is not happening for me, but I did manage to start a book, a wonderful book that is on my TBR list once I finish with a major project: The Resurrection of Nat Turner by acclaimed author Sharon Ewell Foster. The first pages captivated me, and in this work, we get more than just a riveting story. We get a detailed, well-researched book that resurrects the historical figure Nat Turner, a man whose life--at least the one we know of based on history books--is not what it appears. At ChickLitGurrl: high on LATTES & WRITING, I interview Sharon as CLG's featured author for August, and talk to her about the research, writing, and purpose of a book that Publishers Weekly had this to say about: [The Resurrection of Nat Turner is] “fast-paced . . . nearly flawless . . . riveting and expertly told by an inspired, practiced storyteller.








About The Resurrection of Nat Turner

The truth has been buried more than one hundred years . . .

Leading a small army of slaves, Nat Turner was a man born with a mission: to set the captives free. When words failed, he ignited an uprising that left over fifty whites dead. In the predawn hours of August 22, 1831, Nat Turner stormed into history with a Bible in one hand, brandishing a sword in the other. His rebellion shined a national spotlight on slavery and the state of Virginia and divided a nation’s trust. Turner himself became a lightning rod for abolitionists like Harriet Beecher Stowe and a terror and secret shame for slave owners.

In The Resurrection of Nat Turner, Part 1: The Witnesses, Nat Turner’s story is revealed through the eyes and minds of slaves and masters, friends and foes. In their words is the truth of the mystery and conspiracy of Nat Turner’s life, death, and confession.

The Resurrection of Nat Turner spans more than sixty years, sweeping from the majestic highlands of Ethiopia to the towns of Cross Keys and Jerusalem in Southampton County. Using extensive research, Sharon Ewell Foster breaks hallowed ground in this epic novel, revealing long-buried secrets about this tragic hero.


Head to ChickLitGurrl now to learn more about Sharon's journey of writing and promoting The Resurrection of Nat Turner; here's the PERMALINK!


ChickLitGurrl: high on LATTES & WRITING


Chocolate-caramel lattes + Women writers = ONE GREAT TIME!


[chicklitgurrl.blogspot.com]

Direct link to feature can be found [here].

August 8, 2011

Break Writer's Block: Become the Storyteller, Not the Protagonist ~ Latest BRP Commentary




Are you a storyteller or a protagonist? In my latest Blood-Red Pencil post, "Break Writer's Block: Become the Storyteller, Not the Protagonist," I look at these terms - "protagonist" and "storyteller" - to argue how choosing one of these roles can dictate how we might fall into the writer's block trap...and suggest ways how to avoid that trap.Check it out here, and leave comments!


The Blood-Red Pencil
Sharp and pointed observations about good writing
[http://bloodredpencil.blogspot.com]

July 26, 2011

Plotter-Pantser: Talking with Author CHAMSIL

The Writer





CHAMSIL is an author with over ten years of creative writing experience. CHAMSIL possesses multi-dimensionality as he can easily tailor his writing style to a variety of genres, which include urban, erotica, suspense, comedy, horror, etc. CHAMSIL has the ability to draw in an audience with his storytelling and imagery. CHAMSIL has never been one to bite his tongue on controversial topics such as sex, rape, abuse, murder, etc. He definitely likes to keep it raw and most importantly real, because he strongly feels that if he can't convey his feelings in the realest way that he knows how, then he is performing a true disservice to all readers out there. CHAMSIL possesses and intense passion for writing and is always brainstorming new concepts, which keep his creativity as fresh as it possibly can be. At the end of the day, CHAMSIL feels that it is all about four major components: hunger, determination, drive and passion to get your voice out there and be heard and most importantly...respected. CHAMSIL is the complete creative package. You get all of him and nothing less.

This is the heart, mind, body and soul of CHAMSIL.

You can also learn more about CHAMSIL at his website and at the following spots on the web: Facebook, Twitter, and YouTube.



The Book





For Unbeknownst:

Memphis, Tennessee, 20th century.

Jamin Edson is a young business professional, boyfriend, and father of one who sorely lacks the connection, but is seeking love and acceptance within the confines of his family structure. Although, he has longed for this interaction, it has seemed so far from his reach. So far, that he continuously feels defeated. Lindsay Beauregard is a young business professional, girlfriend, and mother of one who is inflexible in every stretch of the imagination. She is very aggressive, opinionated and does things entirely in the manner in which she feels they need to be done. Hope Edson is a young child and daughter of Jamin and Lindsay, who becomes an unfortunate victim of circumstance and entangled in the web that is her parents’ tumultuous and challenging relationship. When Jamin makes the drastic decision to flee the city, abandoning his family in a last ditch effort to escape the persistent and volatile drama, Lindsay is left with no choice but to pick up the remaining pieces of the shattered mirror. Sadly, Hope is also forced to pick up a piece in order to reflect on her life and where she’s headed, even at a very young age.

Take a journey into their worlds in order to see how lives are forever changed and how those same lives run in parallel to one another in entirely different environments over a span of a number of years. Witness the trials and tribulations, heartache and pain, successes, pitfalls, and shortcomings that are the result of one fateful decision. There are many lessons to be learned. Life goes on. Life brings about new experiences. Life has inevitable challenges. Life isn’t always what it seems. But, ultimately, life catches up with you, sooner or later. The only question is…will you be ready when it does?

This is Unbeknownst.


Click the image above to learn more about Unbeknownst and other works by CHAMSIL!




Plotter ... Pantser


Are you a plotter or pantser...and why? Talk to us about your plotter/pantser role as it relates to the experience you had in writing your latest publication.
You have introduced a very interesting topic, Ms. Bacon, and I must say that I am on both sides of the spectrum when it comes to the writing that I have done, albeit published or non-published over the course of my literary career. Please allow me to elaborate in more detail. I write in both traditional and non-traditional (floetic) formats. When I started writing my very first novel, Unbeknownst, in the Spring of 2005, I totally had to outline it in order to adequately conceptualize how I wanted all the pieces to come together and ultimately become the powerful story that it is. Unbeknownst is written in traditional format. I needed that structure and baseline to not only help strengthen me as a writer, but more importantly help me truly understand how a traditionally-written book should be assembled. My initial outline was a great start, but of course as time went on I had to add things, take things out, make changes, so on and so forth in order to give it the meat that it needed to make an impact. In between me finishing and releasing Unbeknownst as a published product, I wrote and released a free traditionally-written novel, Of This Analverse (An Erotiq Comedy) via MySpace in 2008. This also had to be outlined in order to make sure that it was structurally sound. This was deemed a success by those who read it and it was thoroughly enjoyed and readers had plenty to say about what they experienced with that effort.

Now, on the flipside with my non-traditional (floetic) writing, I pretty much fly by the seat of my pants on those. I have written so many poems that it's crazy. I'm talking thousands. I can be so much more spontaneous and words seems to come to me at so much of a faster rate that it actually excites and challenges me more when I write this way. In a way, floetic is my first love. But, I totally can create in both ways. I've published two books written in the non-traditional format. These books are the LOAD memoirs (An Erotiq Anthology) and Breaux (An Urban Nightmare). I'm actually able to take the reader on such a visually stimulating journey that I feel eclipses the effectiveness that a traditionally-written effort can bring forth. Many people who have purchased my books have shared their thoughts and enjoyment levels with reading something so different and unlike the norm, that they appreciated it more. One thing people could never say about me is that I did it like this person or that person. My writing style, my topics, and overall the way I go about approaching a project is one of a kind. I truly believe that.

My most recent publication is Breaux (An Urban Nightmare) which I released in May of 2011. It's just a wild literary ride. As I rewind the clock back to 2008, I had multiple projects that I was working on. I've slowed down a little bit since then, but I was on a mission to open minds. I was still working on Unbeknownst. Of This Analverse was being written for web release. I conceptualized the LOAD memoirs and Breaux and started slowly but surely putting those together. I was writing other short stories and putting those out there. I was in full scale attack mode. I always knew that Unbeknownst, the LOAD memoirs and Breaux would be my first three published efforts. My vision became a reality. I've worked so hard for this. But, I'm just beginning to scratch the surface. I do believe in myself and strongly believe that a creative mind will outlast the cookie cutter formula to writing books any day. Even if it takes a while to open eyes, I will never stop being who I am.

i am CHAMSIL and i am a plotter AND a pantser.



The Excerpt


From Unbeknownst

I.

A person’s vocal inflexion can dictate a certain level of emotion at any given moment.

“I am so fucking sick and tired of arguing with you all the damn time!” Jamin yelled with a scowl of disgust plastered all over his face.

“Well, if you wouldn’t be so damn stupid, I wouldn’t have to argue with your stupid ass, hear?!” Lindsay responded with a scowl on her face possessing even more intensity.

Lindsay Beauregard and Jamin Edson, a young couple, had been in a relationship for about four years. Trust, it had been a rocky four years, too. They made their home in Whitehaven; a neighborhood located on the south side of Memphis, Tennessee. Both being natives of the Memphis area, they met while attending college at Memphis State University. It was love at first sight and they became damn near inseparable.

But, set the clock forward and one could easily assume that these two individuals hated each other with a passion. But, the regression in their relationship did not happen overnight. Things were real good early on and they did everything together. They worked hard. They played hard. But, most importantly, they loved hard. But, things started to change about a year after their daughter, Hope, was born.

Granted, the couple experienced hardships, but Jamin slowly started to see how Lindsay treated him differently. She stopped paying him much attention, which caused him to become bitter. He had become so infuriated with the situation that there were several occasions where Hope would be crying persistently, and he would never leave his permanent post in the living room to see what the problem was. He would simply ignore her cries and keep doing what it was that he wanted to do. This was regardless if Lindsay was at home or not.

Arguments occurred quite regularly around their home, and Hope was in close proximity during the majority of them. Lindsay tried her hardest to shield Hope from the tumultuous and dysfunctional side of her and Jamin’s relationship. However, that was easier said than done. Lindsay understood how critical it was, because she was a product of an emotionally and physically abusive relationship. She could still vividly recall seeing punches and slaps as a child, as if it had just happened yesterday.



July 19, 2011

Plotter-Pantser: Talking with Author Deborah Batterman

The Writer




A native New Yorker, Deborah Batterman is a fiction writer and essayist. Her stories have appeared in anthologies as well as various print and online journals. A story from her debut collection, Shoes Hair Nails, available in both print and digital editions, was nominated for the Pushcart Prize. She continues to seek that balance between the longer work-in-progress (i.e., the novel) and the shorter, of-the-moment posts on her blog, The Things She Thinks About. . .

You can also learn more about Deborah at the following sites: Facebook, Twitter, and GoodReads.


The Book




The settings of these stories - 1980s New York City, 1950s Brooklyn, Las Vegas, an exurban town post-9/11 - are as diverse as the rich palette of characters drawn with heart, humor, and sensuality. With a sharp sense of the telling detail, Deborah Batterman weaves narratives around the everyday symbols in our world and their resonance in our lives.

Click the cover above to purchase Shoes Hair Nails today!



Plotter ... Pantser


Are you a plotter or pantser...and why? Talk to us about your plotter/pantser role as it relates to the experience you had in writing your latest publication.
A plotter or a pantser? Somehow, I see this an interesting variation on the question of plot-driven vs. character-driven stories, the point being you have to start somewhere.

For me it often begins with an image. The genesis of “Shoes,” for example, was seeing pairs of shoes lined up on the floor of parents’ bedroom, each with its own story, collectively a narrative about a relationship. Another story in my collection, “Hair,” began with a line – “The last time I saw my mother I was propped on a phone book in a red leather chair at Jeanie’s Hair Salon.” “Crazy Charlotte,” a title that’s as much an image as an ironic reference, is a composite character, though I do picture a woman from my childhood who was a bit offbeat, maybe troubled. This approach probably makes me a little more of a pantser—I let the image linger, see where it takes me, at least as a kind of jump-start to a story.

Where do I go from there? Writing, as I see it, is an act of discovery. With fiction – and even more so with poetry – it demands a certain willingness to get beneath the surface of consciousness, give in to the unexpected. Decisions about perspective -- e.g., first person, third person, dual perspective – need to be integral to the narration, not imposed. Finding that balance is part intuition (i.e., pantser), part skillful weaving (i.e., plotter). There are writers who insist you cannot write a story without a full bio of your main character. I’m happiest when I discover something I did not know about him or her.

All of which is to say, from the very beginning I usually have a sense of where a story is headed, but the discoveries and detours along the way are what shape it and bring it to its denouement. As I sit down to write, scenes will come to mind; one scene leads to another, a sequence unfolding around an image, a situation, an event giving rise to a short story. Maybe for its sheer magnitude, a novel demands more of charted course. That doesn’t mean I won’t start out ‘from the gut,’ so to speak. The novel I’m currently at work on is framed around the archetype of a journey, a modern-day ‘Odyssey’ of sorts, rooted in the four cardinal directions. Originally I began it in the East, with the other sections clearly spelled out, only to realize about halfway into it, that the starting point was wrong. In a way, there’s a kind of dance that goes on, ‘pantser’ and ‘plotter’ making room for each other when the time comes for a shift. In the sense that revision is, literally, “to see again,” each draft is a chance for a writer to consider whether the ‘pantser’ has flown a little too freely and lost ground or whether the ‘plotter’ has never really gotten off the ground at all.


July 13, 2011

Writers, Get into Shape with Award-Winning Author Maryann Reid's Bootcamp

Please check out an opportunity below that may suit your career and professionals goals in publishing or publicity.

I received an email from award-winning author Maryann Reid, who is conducting the below bootcamps, and I am confident you will get your money’s worth. Maryann has been an author (St Martins Press) for over
10 years, has been featured in Newsweek, Glamour, USA Today, CNN, ABC News 20/20, etc, and is a sought after speaker, and mentor. Below is a message from her. If you sign up for a bootcamp, please say you heard it from me!

”My bootcamps have come to mean much more to me as I see my clients go from professionals to experts in their industries. It's a movement of taking ownership of what you have to offer the world, your message, and shaping it the way you want it. Without gatekeepers. Without waiting for clients or consumers to tell you. It's not about becoming famous or just publishing a book, it's about a better life. Fulfilling dreams. Seeing results. It's that simple.”--Maryann


Sign up for the bootcamps by clicking below. There are only a few spots left:

Sell It Before You Write It (Starts Monday)
[LINK]


Build Your Own Buzz Bootcamp (Starts 7/25)
[LINK]